XLR 4-Pin vs. XLR 5-Pin
Comparing 2 standards across 9 specifications. 9 key differences identified.
4-pin XLR uses the same connector shell as standard 3-pin XLR but carries entirely different, incompatible signals depending on the equipment: intercom headsets, balanced headphone outputs, or 12V DC power -- with no universal standard or keying to prevent connecting the wrong device to the wrong port.
5-pin XLR is the standard connector for DMX512 digital lighting control -- though 3-pin XLR is commonly, and per the DMX512 spec itself non-compliantly, substituted in practice. 5-pin XLR is also used for some stereo microphones and modular professional audio equipment.
Specification Comparison Table
9 Parameters| Parameter / Spec | ||
|---|---|---|
|
Connector Family
|
Circular Audio / Power Interconnect (XLR4) | Circular Stage & Lighting Interconnect (XLR5) |
|
Conductors / Contacts
|
4 Pins | 5 Pins |
|
Signal Format
|
Broadcast Intercom / Balanced Headphone / 12V DC Power | DMX512 Digital Lighting Control / Dual-Element Audio |
|
Primary Applications
|
Broadcast television intercom headsets, audiophile balanced headphones, field video DC power | Stage lighting consoles, moving head fixtures, dimmers, dual-channel stereo microphones |
|
Intercom Pinout
|
Pin 1: Mic Gnd | Pin 2: Mic Signal | Pin 3: Phone Return | Pin 4: Phone Signal | — |
|
Balanced Headphone Pinout
|
Pin 1: L(+) | Pin 2: L(-) | Pin 3: R(+) | Pin 4: R(-) | — |
|
DC Power Pinout
|
Pin 1: 0V / Gnd | Pin 4: +12V DC (Pins 2 & 3 Unused) | — |
|
DMX512 Pinout
|
— | Pin 1: Shield | Pin 2: Data 1(-) | Pin 3: Data 1(+) | Pin 4: Data 2(-) | Pin 5: Data 2(+) |
|
Governing Standard
|
— | ANSI E1.11 / USITT DMX512-A |