# item.guide
Side-by-Side Comparison Film Formats

220 Roll Film (Double-Length Medium Format) vs. 8×10 Ultra-Large Format Sheet Film

Comparing 2 standards across 13 specifications. 13 key differences identified.

Comparing:
220 Roll Film (Double-Length Medium Format)
8×10 Ultra-Large Format Sheet Film

220 Film (standardized under ISO 732, introduced in 1965) is a double-length medium format roll film that yields twice the exposures of 120 film (24 exposures at 6×6 cm, 20 exposures at 6×7 cm). By eliminating the backing paper along the body of the film (retaining paper only at the black leader and trailer), twice as much film fits onto the same 25mm spool.

View full 220 Roll Film (Double-Length Medium Format) spec sheet →

8×10 Sheet Film (standardized under ISO 1010) is the pinnacle of ultra-large format analog photography, measuring 7.90 × 9.90 inches (200.5 × 251.5 mm nominal) with a gargantuan 50,425 mm² negative surface area (~58.4× larger than 35mm full frame). Famous for direct contact printing with zero enlargement grain in platinum/palladium and silver gelatin printing.

View full 8×10 Ultra-Large Format Sheet Film spec sheet →

Specification Comparison Table

13 Parameters
Parameter / Spec
Film Strip Width
61.5 ± 0.5 mm
Total Film Strip Length
Approx. 1650 mm (65.0 in — double the length of 120 film)
Backing Paper Structure
Leader and trailer paper only (no backing paper behind the active emulsion)
6×6 cm Frame Yield
24 exposures (vs 12 on 120 film)
6×7 cm Frame Yield
20 exposures (vs 10 on 120 film)
6×4.5 cm Frame Yield
30 to 32 exposures
Pressure Plate Setting
Requires flipping the camera pressure plate to '220' position (compensates for missing paper thickness to prevent focal shift)
Nominal Sheet Dimensions
7.90 × 9.90 in (200.5 × 251.5 mm ± 0.8 mm)
Active Negative Area
Approx. 50,425 mm² (~58.36× the surface area of 35mm full frame)
Contact Printing Standard
Negatives are contact-printed 1:1 directly onto silver gelatin or platinum/palladium paper without an enlarger lens
Resolution Potential
Estimated 300 to 500+ megapixels equivalent resolving power under fine-grain developer
Legendary Practitioners
Ansel Adams (Group f/64), Edward Weston, Nicholas Nixon, Alec Soth
Camera Systems
Deardorff 8×10, Sinar 8×10, Wisner 8×10, Chamonix 810V, Canham 8×10