# item.guide
Side-by-Side Comparison Film Formats

120 Roll Film (Medium Format / ISO 732) vs. 220 Roll Film (Double-Length Medium Format)

Comparing 2 standards across 12 specifications. 11 key differences identified.

Comparing:
120 Roll Film (Medium Format / ISO 732)
220 Roll Film (Double-Length Medium Format)

120 Film (standardized under ISO 732, introduced by Kodak in 1901 for the Brownie No. 2) is the universal medium format roll film standard, featuring a 61.5 mm wide unperforated film strip attached to continuous light-tight backing paper wound on a plastic/metal spool. Capturing multiple frame formats including 6×4.5 cm (16 exp), 6×6 cm (12 exp), 6×7 cm (10 exp), and 6×9 cm (8 exp).

View full 120 Roll Film (Medium Format / ISO 732) spec sheet →

220 Film (standardized under ISO 732, introduced in 1965) is a double-length medium format roll film that yields twice the exposures of 120 film (24 exposures at 6×6 cm, 20 exposures at 6×7 cm). By eliminating the backing paper along the body of the film (retaining paper only at the black leader and trailer), twice as much film fits onto the same 25mm spool.

View full 220 Roll Film (Double-Length Medium Format) spec sheet →

Specification Comparison Table

12 Parameters
Parameter / Spec
Film Strip Width
61.5 ± 0.5 mm (2.42 in) 61.5 ± 0.5 mm
Total Film Strip Length
Approx. 820 mm (32.3 in) taped to backing paper Approx. 1650 mm (65.0 in — double the length of 120 film)
Spool Flange Diameter
25.2 mm (Keyed end drive slot for camera winding mechanisms)
6×4.5 cm Frame Yield (56 × 41.5 mm)
15 or 16 exposures per roll (Mamiya 645, Pentax 645, Bronica ETR)
6×6 cm Square Yield (56 × 56 mm)
12 exposures per roll (Hasselblad 500C/M, Rolleiflex TLR, Mamiya C330)
6×7 cm Ideal Format (56 × 70 mm)
10 exposures per roll (Mamiya RB67/RZ67, Pentax 67, Plaubel Makina 67)
6×9 cm Broad Format (56 × 84 mm)
8 exposures per roll (Fuji GW690 'Texas Leica', technical cameras)
Backing Paper Structure
Leader and trailer paper only (no backing paper behind the active emulsion)
6×6 cm Frame Yield
24 exposures (vs 12 on 120 film)
6×7 cm Frame Yield
20 exposures (vs 10 on 120 film)
6×4.5 cm Frame Yield
30 to 32 exposures
Pressure Plate Setting
Requires flipping the camera pressure plate to '220' position (compensates for missing paper thickness to prevent focal shift)